Category Archives: Invitations

Father Church, Mother Earth

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I attended church every Sabbath (Saturday, in my faith tradition) for the first thirty years of my life. That’s 1,560 Saturdays. Allowing for a few skips, I’ll round down to 1,500. I participated in at least a few hundred of those, either up front or behind the scenes, most often in music—song service, choir, special music, offertory. I served as deaconess and Sabbath School Superintendent, provided children’s story, directed and participated in skits, coordinated VBS (Vacation Bible School), collected offering, counted offering, served on the floral committee . . . You get the idea. Church held an unquestioned space in my life.

Fast forward ten years, to a Sabbath in early spring. I drive to the far side of the small town where I live and meet my sister at Mill Creek Channel. We’ve only just begun walking the paved trail when I spot a mother mallard riding the creek, which is high and moving fast. Cement dividers at regular intervals create mini waterfalls. A single duckling follows Mother Mallard, and I wonder aloud if its siblings drowned from similar rough rides. In the froth where the water drops, the duckling disappears for a moment, then pops up like cork.

Five minutes later we cut off the path, toward a patch of trees where we’ll find what we’ve come to see. For much of the winter I’ve been coming here on weekends, and in spaces that were bare last time I visited, green plants have proliferated. A few steps into the greenery, a tree trunk bears a light-colored, concave mark a couple feet above ground, where a beaver has gnawed off an almost-heart-shaped patch of bark and wood. Walking past this, we step over and around tender new trees and bushes, and baby horsetail plants that look like bottle brushes.

Evidence of beavers is everywhere—small trees felled by a characteristic hourglass-shaped chewing pattern, wood chips, logs stripped of bark, and at the stream, multiple stick-and-mud dams upon which tall grasses grow. Coming up from the stream bank, we hoist ourselves over a large, smooth log and walk to the edge of this semi-open space, where the brush becomes thick and prickly. A ground-level tunnel through the underbrush indicates one of the beavers’ paths. A few feet in front of the tunnel opening is a tree I’ve been photographing, perhaps 18 inches in diameter and so tall I don’t venture a guess at its height. Where the beavers have chewed into the tree, only a thin portion of the trunk remains. I had hoped to track their progress in felling the tree—at what point it would succumb to gravity?—but I am disappointed to see that here, and elsewhere in the clearing, it appears the beavers are no longer active. The only change is the color of wood chips on the ground, from bright and fresh two months ago, to a dark gray. Have the beavers been captured and moved elsewhere?

I will come again and look, but for now we weave our way out of the spring undergrowth and return to the paved walkway. Here we part ways, as my sister returns to the parking lot and I continue along Mill Creek Channel. A handful of minutes later, I cross the creek on a corrugated metal bridge. The rushing water, visible under the bridge, makes me feel unsteady on my feet. Reaching the other side, I walk to a bench maybe twenty yards away and it and sit down.

Although I know the water is flowing “down,” some wavelets appear to flow “up,” jumping and curving in a seemingly reversed fashion. At my feet, wild grasses with freshly-minted purple and green seed-heads wobble and sway in a light wind. Under the water, longer grasses, submerged when the creek rose with rainwater, flow long and smooth. The air smells fresh, almost like a waterfall, and I breathe in slowly. Walkers, alone or in groups of two or three, all accompanied by one or more dogs, pass behind me, but I scarcely hear them over the loud and steady surge of the water. An occasional birdsong breaks through.

The sky is blended blue and white, and the sun on my back comes and goes as clouds shapeshift and bend to the wind. All this hospitality, my soul soaks it in. My back and shoulders relax. Sitting here, I recall decades of Sabbaths in church. If I still attended church, that’s where I’d be right now. I don’t miss it. Why?

How could I belong to something for 30 years and feel no sense of loss? Or maybe the sense of loss has faded away with time. I did miss traditional church when we transitioned to leading a house church. House church was different—in ways I loved, and ways I didn’t love. When we stepped away from house church after six years, I didn’t know what was next. Traditional church felt weird; staying home felt weird. 

Today, I think I might know what’s next. This. Mother Nature. Or, if you prefer, God’s presence in the outdoors, in the rhythm of water, the sound of birds, the antennae on an insect smaller than my fingertip, patterns in tree bark and in the sky. I need this mothering, a learning of beauty, impermanence, sound and silence. Here I find endless discovery saturated with companionship.

On many Sabbaths last winter I took a walk on another nature path not far from our home, either alone or with one or more of kids/husband. The secluded trails enchanted me with their secret stream and vines with berries, bright red and white. I watched a flock of starlings shapeshift in the sky above a meadow. I sat in the grasses at the base of a naked deciduous tree and paid attention—to the slug on my shoe, the cold and sunny sky. I felt my feet on the earth, and marveled at an enormous wild apple tree. And each time my car crunched out of the gravel parking lot, I was kinder, more hopeful, more grounded. These were lessons learned not in words but in silence. Not through instruction but curious awareness. I found complexity, not perfection. Death mixed with life. The way living things trust the land, and the land trusts living things.

As I sit by Mill Creek, I think about all this and wonder if church is my Father, and nature my Mother. I spent 30 years in my Father’s house; will I spend another 30 in my Mother’s house? I have explored ad nauseam the ways God is my father. But I’ve only just begun to learn how God is my mother.

Mothers are complicated. I want to release my expectations—based on my experience with my own mother, based on what the Bible or churches say about God as mother—and I want to experience it, to accumulate stories of my Mother and I, to come up against the edges of her that nudge me where I don’t like to be nudged, to soak in the warmth of her voluminous embrace. I suspect Mother God will at times disappoint me, and I will try her with my stubborn certainties. I also suspect that, like my Father, she is both safe and wild. 

I rise and follow the path along this side of the creek, taking pictures of farmhouses flanked with bright green meadows, and closeups of pink blossoms on trees. I am startled by a bird flying rapidly toward me, an osprey. He or she carries a stick some two feet long, and passes directly overhead. I turn to keep the bird in sight, and it lands across the creek on a nesting platform where a nest is taking shape. 

A few days later, I pull books off my shelf, looking for descriptions of masculine and feminine traits—not physical traits, but the ways of being that lie within those terms. Will I find evidence that church leans masculine and nature leans feminine? Are Mother God and Mother Nature one and the same?

In Mirabai Starr’s book, Wild Mercy, I find these descriptions:

Feminine: An aggregate of qualities such as mercy, loving-kindness, wildness, inclusiveness, radical truth telling and tendencies such as nurturing, subversive, relational, community building, heart centered, honoring of embodied experience, comfortable with ambiguity.

Divine Masculine: The sublime aspects of the masculine spiritual paradigm, an inclination toward detachment [objective, impartial, unemotional] and transcendence, intellectual clarity and religious rigor, purification and perfection.

(Bracketed words are mine)

Wildness. Nurturing. Honoring of embodied experience. Comfortable with ambiguity. These I find in nature. I soak in them and I am still thirsty; my capacity to hold more remains undiminished. I dip into Mother Nature again and again, and I come home to myself every time.

Last summer, when my sister was sorting through old family papers, she texted me a picture of a sheet of lined, yellow paper, torn from a mini legal pad. “TOBI June 89 (4 yrs)” is printed at the top in my mom’s writing, and below that, four quotes from my four-year-old self:

“Do you think God needed a ladder to get the sky up there?”
“Is Jesus going to be comin’ ‘round the mountain when he comes?”
“God isn’t a he, God is a she!!”
“Do you think God made our feet first so we could stand while he made the rest of us?”

Three questions and a statement, as only a four-year-old can say them.

After years of grappling with whether it would be offensive to use feminine pronouns to refer to the divine, and with my recent curiosity about Mother God, the statement grabbed me. It seemed my four-your-old self had shown up to give me permission to fall in love with an (obviously!) female God.

In my early thirties I sought help through mental health therapy. I brought my list of goals to the first session, but only later would I come to understand that essentially what I wanted was the ability to live with myself comfortably. My Christian therapist tasked me with writing out internal messages I’d inherited from my dad, and then writing what God might say instead. I cherish the many pages of writing which came out of that exercise, and the ripple effect of healthier thought patterns that affirm my value and wholeness. And I wonder if it is time to do the same exercise for mothers—my earthly mother and my divine Mother. What is my mother’s legacy inside me, and how is God’s mothering different? What are Mother Nature’s messages to me? 

And what will be the ripple effect this time? Mirabai Starr writes, “… I believe in the healing energy of the feminine as a fire that can melt the frozen heart of the world, the artistry that will mend the tattered web of interconnection.” This I want to receive, and this I want to regift to my children and my community. Let me be a melter of frozen hearts, mender of tattered connections. 

I sit on my porch, tea in hand. Tall, green-leafed bushes grow outside the deck railing, and trees canopy the lawn and driveway, such that nearly my entire view is green. (Later, I ask Google the meaning of the color green, and the AI overview tells me green has a calming effect that slows metabolism and promotes physical and emotional wellbeing. Green also symbolizes renewal.) An inordinate amount of rustling arises as squirrels and birds nose and scratch their way through old autumn leaves beside the gravel drive, searching for tiny treasures in exoskeletons. The new, green leaves of the canopy move continually, and I am amazed by their responsiveness to mere whispers of air. A squirrel sleeps on a tree branch—the same branch I can see from an upstairs window, where I often watch squirrels sleeping or bathing, like a cat. Sleeping squirrels, dancing leaves, the color green—these are “the artistry that will mend the tattered web of interconnection.” These are my Divine Mother.

What She Wants Most

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Escape. This is what she wants most in the world. 

She has bumped into a cliché, that this is not the life she wanted. 

But also it is. The husband, the house, the backyard with towering trees and a play-set for her daughters.

She has decided she needs a week alone, preferably on an island far from here. Away from the husband who wants sex. Away from the house that is just a little too full of life and all that life implies. Away from the back yard where nothing bothers to ask before it grows another foot, and her young daughters still need supervision to be outdoors and help to go down the slide. Every fall the towering trees dump a million and one leaves, and in the prickly cold the family rakes and hauls and piles.

The worst thing of all is that when she reaches the ends of her fantasies—the deserted island, the silent retreat at a monastery, or even the house to herself for a week with no kids and no husband—yes, at the ends of the fantasies she is still weary, estranged from herself, married to her chosen life, nothing has changed. And that is the dagger to her heart. Past the hopeful fantasies lies the truth, that she doesn’t want another life, but neither does she want this one—the sleep-challenged nights, the rotting homemade play-doh, the almost-empty bin of cat food, dishes on repeat, never alone but often lonely, a dutiful, tired, empty well.

She is lying. About the escape. This is what she wants most in the world. 

She has explored her options and reached a conclusion. She wants to be at home with herself. She wants to feel relaxed in her own skin, perhaps even to like herself. She is aware of this possibility only dimly, and aware it will cost more than the option of escape. Escape is quick. Therapy is slow. But it becomes apparent that her own hostility toward herself is the culprit of her discontent. And this revelation is an invitation. To what, she’s not sure. Is this a battle? A puzzle? A zombie apocalypse?

Perhaps yes to all of the above. This is unsettling, though perhaps less unsettling than the lonely, empty well. This battle/puzzle/apocalypse promises change, momentum. She gets to keep the husband, the house, and the kids, and discard the shame and scarcity.

She doesn’t know it yet, but she will discover self-friendship. She will experience her own self as her most trustworthy ally, and she will learn to enjoy her own company. She will discover that friendship with herself is an expansive container, able to hold the pieces of her life, even those that seem incongruous. She is not a pantry, but a cathedral.

And when she has absorbed this truth, she might still take that week alone when she gets the chance, but rather than an escape, it will be a celebration.

Spring

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What am I here for
But to watch buds fatten
On tips of branches in early spring
To notice the colors of the sky
How sun and clouds play with light
And wind plays in trees

Enormous branches wave and pitch
Every squirrel has sea legs
And every bird knows wind in its feathers
The way I know air in my lungs

Warty limbs offer footing for hawks and squirrels
Predator and prey on the same playground

Mourning doves build flimsy nests
Robins weave bowls sturdy and deep
Open-air homes, no walls, no roofs
Yet safe for fragile eggs and naked babies

I live fortified in walls and clothes and knowledge
Yet no more safe than birds and buds
“Look at the lilies of the field and how they grow
They don’t work or make their clothing
Yet Solomon in all his glory
Was not dressed as beautifully as they are”*

*Matthew 6:28b-29, NLT

Beach morning

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Clouds spread high and even, exposed quilt-batting pinned above the landscape.

Great Blue Heron perches afront a high cliff, dark against tawny, bare earth.
Suddenly, silently, he extends broad wings. Legs momentarily dangle long before he points his toes straight behind and glides north along the shoreline.

Hummingbirds cavort, pausing occasionally in the bushes below our deck. One zooms into my personal space, then speeds away, so quick I register its presence only when it’s gone.

Two piles of sea lions lie strewn on behemoth, exposed rocks in the frothy tide far below, where yesterday we found wide swaths of sea anemones packed together like dinner rolls, and a Dungeness crab picking its way through submerged, holly-green sea plants.

The air is calm and balmy, the sound of waves steady.

Assorted seabirds pass overhead, wings beating duck-like.
An osprey circles once, twice, a third time. Its feet drop slightly as it releases a sizable white poo that disappears as soon as I spot it.

Blue clouds on the horizon hold my gaze—color of blue sky, but fluffy like whipped frosting. 

A caw-caw rides air from the beach to my ears. Sea lions are on the move.
They wiggle their way toward the surf, descending the sloping rock like otters with no legs, bodies gallumping in a wavelike motion, ungraceful.
A raggedy row of them moves like an uncomfortable caterpillar. A dozen submerge and swim away; the “caterpillar” comes to an awkward halt, twitching a few times at the tail end, then settling, as if an invisible being has hit snooze. Nine more minutes of sleep. 

A long, low island of rocks emerges, left of the tall sea-cliff island that is nearly always visible.
A wave crashes, snapping my attention back to shore and sleeping sea lions. One twitches its hind flipper like a cat’s tail.

A flash of blue catches my eye. Stellar Jay lands on the porch railing, hops down, picks up the beef jerky that fell yesterday when we fed seagulls. Effortlessly, she ascends again to the railing. She pins the jerky against it, reaching between her toes to rip pieces off, her scruffy morning hairdo dark against the sky. Before I have drunk my fill of her beauty, she hops away. Holding the last bite of jerky, she springs grasshopper-like in short bounds along the railing until she disappears beyond weathered shingles.

I think about binoculars, so I can see what kind of birds cluster on the rocks far from shore. But fog has moved in, curtain call on this beach morning.

Be Still, My Soul

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“Be still, my soul, the Lord is on thy side.”*
Unexpected but much-needed words at 2 a.m., when the house is quiet but my soul is loud.

“Be still, my soul, the Lord is on thy side.”
A thousand memories of my father, the hymn-playing classical guitarist whose practicing accompanied my sleep most nights for my first 18 years. A hundred more memories of concerts in a hundred churches, Daddy’s black suit with the guitar-fretboard tie, my mother presiding over a table of music for sale—books, CDs, tapes. And record albums in the early memories. My sister and I sang duets. We wore matching dresses sewn by my mother each year, made from fabric chosen by my father.

“Be still, my soul, the Lord is on thy side.”
The deepest stillness of my soul is always at God’s invitation.

“Be still, my soul, the Lord is on thy side.”
Knowing I can rage against God, blame God, say “fuck” to God—this, too, is an element of the stillness of my soul.

“Be still, my soul, the Lord is on thy side.”
Words I need to hear now, and in five minutes, and five minutes after that, because my soul has amnesia when it comes to stillness.

“Be still, my soul, the Lord is on thy side.”
Comfort for the parts of me that fret about who is not on my side, who doesn’t understand me, who wants ill for me. Be still. The One on my side will never change Her mind.

“Be still, my soul, the Lord is on thy side.”
As the psalmist wrote, “Be still, and know that I am God.” (Psalm 46:10) If He is God, I am not. Sometimes I need to remember this. Be still. Be.

“Be still, my soul, the Lord is on thy side.”
It is safe to be me. Right now. Before I do the next thing.

“Be still, my soul, the Lord is on thy side.”
I am not alone, even in my ugliest moments. God’s holy presence holds me with tenderness. I am invited to hold myself with tenderness, too.

“Be still, my soul, the Lord is on thy side.”

I pull out my hymnal, play the song one-handed on the piano, wonder if I might fall in love with the rest of the lyrics. I don’t. All I need is that one line.

“Be still, my soul, the Lord is on thy side.”

*This is the first line of the hymn, “Be Still, My Soul.” Words by Kathrina von Schlegel, translated into English by Jane Borthwick. Sung to the tune of “Finlandia,” by the Finnish composer Jean Sibelius.

I Can’t Get Drunk

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My friend E started drinking first, and together we made plans for my debut with alcohol. Piña coladas on my 40thbirthday. But then I decided to try a drink first with my husband—the primary witness to my life. The night was cold in every way. My turn to plan date night, and I reserved an “igloo” at Marcy’s downtown. These plastic domes appeared over several of their outdoor tables in late fall, purportedly to extend the viability of outdoor eating.

We drove to Marcy’s in silence, as we’d recently stopped speaking to each other unless absolutely necessary (a car ride did not qualify). It’s hard to say if silent date night indicated our stubbornness, a dark desire to marinate in our melancholy, or a hope that we might break things loose. If I’d had any ideas that alcohol might aid us, those hopes were soon dashed.

Our igloo struggled against the 30-degree weather, and I kept my coat on. A space heater ran full blast, and staff provided blankets. Too bad we didn’t feel like snuggling. Our waiter unzipped the igloo and stepped in, quickly zipped it behind him, and stood prepared to take our drink order. He provided a brief verbal tour of the alcoholic beverage options, none of which were warm. Unable to abide the thought of a cold drink, I asked if they had anything warm with alcohol. Yes, there were a few options. Having zero idea what most of the components were, I chose one that included coffee—something familiar. Michael ordered a cold mocktail.

As we waited for our drinks, I connected my phone to the provided bluetooth speaker and started our love-song playlist. The romantic songs did nothing to lift the chill, but they did slightly reduce the awkwardness of the silence between us. 

My drink came in a glass with a handle, piled high with whipped cream. First sip—tolerable. By the third sip I wished I’d ordered the same fruity mocktail as Michael. After that I kept trying tiny sips, but mostly ate the whipped cream off the top and felt bad for wasting money. Since I found nothing pleasurable in the flavor, I hoped to at least drink enough to feel something—a “buzz”?—or to get just a wee bit tipsy, or loose enough to throw myself at Michael when we got home and have makeup sex. But I couldn’t do it. The drink was just plain gross, and I didn’t care for the “warm” sensation as I swallowed. I tried to convince Michael he wanted to try it, but he most certainly did not.

Our pitiful meal came to end, we paid, unzipped our igloo, and returned home colder than we had arrived.

A month or two later, I sat on the couch at E’s house, working on a puzzle on her coffee table. Her husband offered me a glass of red wine as he poured some for each of them. “Don’t give her too much, she probably won’t drink it,” E said. It hit me just about the same as the drink at Marcy’s—gross with a side of unwanted “heat.” I would regale you with nuanced descriptions of flavor and texture, but my palate-related language is pedestrian at best.

In April I drove to Bellingham, Washington, for a soul-filling weekend with my OG ladies group. My friend Andi ordered me a shot of Baileys. “It’s really sweet. If you don’t like it you probably won’t like any alcohol.” It tasted like caramel mixed with isopropyl alcohol. She finished it for me.

Some weeks after my 40th birthday in May, and months after the frigid date at Marcy’s, E and I met downtown at a Mexican restaurant for piña coladas. Virgin piña coladas are one of my favorite drinks—in fact, we had them at our wedding reception. Not wanting to ruin the drink entirely, but still hoping for a new experience—relaxation, anger, stomach upset, anything really—I asked the waiter to cut the alcohol in half. E ordered chicken and scanned the restaurant for teetotalers who could jeopardize her career by reporting a drink to her religious employer.

Our piña coladas came. I took a small sip, then several long pulls at the straw, trying to determine how the flavor differed from a virgin drink. Not much. I drank the whole glass, but didn’t get any of those bodily changes I hoped for. Although it was my most successful drinking experiment yet in terms of volume, I decided I prefer virgin piña coladas.

Further attempts at drinking have failed to produce anything more exciting. My friend Gela and I had a lovely moms-afternoon-out at a cellar offering wine slushies—flavors in a row in large plastic tubs with turning paddles, just like gas station slushies. We sat on a fancy armless couch, and I drank my entire glass, but it wasn’t worth the $14. Until my drinking experiments, I’d had no idea alcohol sucked up even more money than designer coffee.

At the farmer’s market I tasted three (free!) wine samples, drinking barely enough for a semblance of politeness before I discreetly tossed most of the final serving away with the small plastic cup. 

Alcohol and I have not become friends. She is expensive and sharp. I remain curious, and may try a can of beer, hard cider at a local winery, or the mead my cousin makes, but I’ve given up on the possibility of actual enjoyment, and am unlikely to gag down enough of anything to get tipsy. For anyone who worried I’d become a raging alcoholic, I’m sorry to disappoint*. I’ve gained some fun experiences with friends, and lost the ability to say I’ve never had alcohol (well, other than in vanilla extract). I prefer a good mocktail to drinks with alcohol, but I like an Italian soda, blended mocha, or London fog even better. 

Honestly, I thought something about alcohol would appeal to me—after all, how can the masses be so enamored? So financially invested? I don’t understand drinking for pleasure, nor can I imagine swallowing enough to get drunk. I’ll drown my troubles with a good 12-hour night of sleep, followed by a morning nap, and an afternoon one too if it’s a sad Saturday, and leave the hop juice for someone else.

*This is not intended as a slight to my many friends and family who choose not to drink, nor do I intend to make light of the damage alcohol causes to individuals, families, and society. Rather, I am making fun of the over-moralized fear-based decision making that was for many years my reason for not drinking alcohol.

Death Is Beautiful

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Death is beautiful. City streets and sidewalks are papered in it. Trees shout it with blazing reds and yellows—a rare season when the glow of sunset settles onto every country road and city block. And the individual deaths are as beautiful as the collective. If I dare use the worn-out snowflake analogy, each leaf is one-of-a-kind—the blend of colors, the shape and length of the stem, edges pointy or rounded, symmetry perfect or lopsided. Even the way it rides air currents to the ground is singular.

In the Celtic spiritual tradition, the phrase “thin places” describes those times when the veil thins between the now and the eternal, the ordinary and the extraordinary, and we see what is usually hidden. Death is one of those thin places.

Months before autumn, I walked a fog-covered beach on the Pacific Ocean, and death everywhere arrested me, stunned me, captivated me with its patterns and beauty. The oval-shaped outside of a small chiton shell—previously home to a creature that might have been the child of a limpet and a sea slug—was mossy green. But inside, surrounded by a wrinkly cream-colored girdle, an almost-neon aqua blue lit up the connected shell plates, and I stared in wonder. The shell of an urchin, now spineless, was covered with perfect rows of raised dots in muted tones of pink and green. The purple inside of a crab shell had patterns like light shining through water. Round jellyfish, symmetric from their thin edges to the white motif near their fat centers, lay stranded on the sand. A dead dragonfly, wings spread as if on display, had the bluest body, a peaceful gray-blue, but nothing dull about it.

My daughter picked up a crab shell which had been home to a couple dozen barnacles, and I imagined it in its heyday, scuttling through tide pools, unknowingly feeding the barnacles on its back, as well as itself. Uprooted seaweed formed circles and figure-eights. My daughters and I stomped on the seaweed air floats, trying to outdo each other with satisfying pops. One already-cracked float looked like Pac-Man, and another like a pelican’s head and neck. Shells, once symmetric, had broken into fragments and been polished smooth by the sand—pinks mottled like granite, colored ovals reminiscent of planetary rings, layered blues, and swaths of pearly iridescence. An art museum at my fingertips. 

As I contemplate the beauty of death, I can’t help but wonder what it will be like when someone I love dies. Will I feel the thinness between earth and heaven? Will there be beauty? Or will it be clinical, disturbing, exhausting, or—worst of all—sudden and too soon? I’ve never been with a person at death. I am curious—will there be a glimpse of what I have not seen before?

There is room for magic in morbidity. Although the leaves will turn brown, rot in the rain, and return to the soil, their week of splendor remains undiminished. Although every empty crab shell represents a death, and the waves and crunching feet will not leave them whole, they are no less exquisite. Although I will die, my passage from this life will squeeze the mortal and the immortal together for just a moment, creating a beautiful, painful, thin place.

Exposed by Proximity

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Children scare me. Even my own children. I do not like this, and admit it reluctantly. Children make noises at the wrong times, go where they shouldn’t in the blink of an eye, and express emotions with their bodies. In a word, they are unpredictable. 

The most likely culprit for my fear and discomfort is a desire to feel safe by being in control. This is also something I don’t want to admit. Isn’t it better to go with the flow? Not to mention that control is largely an illusion anyway. And Jesus not only loved children; He suggested we emulate them.

But that doesn’t help me with in-the-trenches moments with kids. I can’t ever find the one right answer I’m looking for. Should a kid have snacks or eat only at mealtimes? If I give someone else’s kid dessert, or put on a TV show, will that be the end of life as we know it? If two toddlers fight, and both hurt each other, do we call it even and move on, or should they be punished or lectured? How do I know in what moments to expect my children to toe the line, and in what moments to suspend expectations and get ice cream? And don’t even start on the pros and cons of vaccines. 

No matter the age of a child, my response to them could affect them for the rest of their lifetime. I am not okay with this. Will I be the one who offers grace or wisdom or a listening ear that gives permission for a child to like themselves? Or will I give advice at the wrong time, be lenient when the consequences are life threatening, or give peanut butter crackers to the kindergartner with a severe peanut allergy and get locked up for murder?

The stakes are too high. Somebody please lower them. Tell me I don’t have influence, I’m not culpable, my instincts can never go wrong. But no, once more I must make peace with uncertainty. I must receive the truth that I will both harm and help my children and other children. Sometimes I will hurt and another will heal. Sometimes I will heal what another has hurt. And some hurts won’t be healed. 

No matter the stakes, I am not superhuman. I will break what needs to be held together, and I will clamp down on what needs to be released. Damn, I hate that. 

Then again, maybe the children in my life are my greatest ally in accepting my humanness. I doubt the fear will go away. But maybe it could prompt a mantra: I am in this moment, with this child, and we are both getting to know ourselves. There’s something sacred under the scary feeling, a gift of mutual vulnerability that exists here where I am exposed.

Simple Jesus

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I want to like Jesus because the grown-ups in my life told me He is good, and they were right. 

I want to be innocently happy that God is good. 

I want to go back to painting “JESUS FREAK” in huge letters on a baggy cotton T-shirt, soaking up Sabbath School lessons with gusto, back to the credibility God had when I was 14.

Simple Jesus—does He still exist? Or can He at least be mysteriously complex and Kindergarten-simple at the same time? 

Is there a reality—no-strings-attached—in which Jesus just loves me and knows my name?

A few weeks ago I attended a spiritual retreat at Camp MiVoden, as a sponsor for the girls in the 7th/8th-grade class. During the worship services I remembered something, a feeling of belonging and certainty from my past. I knew some of the songs the praise band led, and I sang with my arms raised. No one expected anything—hardly anyone knew me—and the featured speaker said simple and good things, about who I am and who God is, and I cried, and I remembered a time when I belonged wholly, and sermons weren’t pocked with ideas that distract me from goodness and wholeness.

I want a plain friendship, one I don’t have to defend or explain, one in which I don’t need Jesus to make me look good, and Jesus doesn’t need me to make Him look good; Jesus with a reputation as simple as Mary who had a little lamb, not the notoriety of an activist. 

I don’t need answers for all the questions and discrepancies. I’m looking for that place where they are absent, where I don’t have to explain why I don’t believe in a punitive gospel, or why I’m part of a faith tradition (Christianity) that has inspired violence for thousands of years. I don’t want to explain why I use feminine pronouns for God, or why I say Adventism is my community but not my religion. I don’t want anyone to raise their eyebrows at me, nor me at them. I want to be in love—inside love. I want to feel safe because I am safe. 

Maybe what I really want to know is this: does a simple Jesus exist for adults too? Does He go for coffee with millennials—with me? Does He wear jeans and send 132 text messages every day? Does He understand carpools and playdates and a family calendar on the kitchen wall and how all the spoons are dirty if I miss one day running the dishwasher? Does He peruse my TBR shelf and ask me about my writing? Does He know I’m still a little girl inside, intimidated by the disciples who turn me away because I am small and simple?

Is Jesus here now, and does He remember me? Does He look through my photo albums and murmur memories? Has He been here for it all? Can we laugh together about singing “Sinnerman” and “We Are Soldiers”—the laugh of a shared memory—those lyrics humorous like the frizzy perms of the 80’s?* Is He still the cleft in the rock, the hiding place, the blessed assurance the hymns offered? 

What if we’ve shared a life more than a belief system, and our love is built on mutual adventure and admiration?

Maybe He has never needed me to pull Him apart and stitch Him back together, to understand how He is a triune being, or even to put our companionship into words. Perhaps I was mistaken in thinking that farther, bigger, and deeper are better. 

Jesus is here. In the essentials He hasn’t changed a bit. He’s still the great guy I knew in primary Sabbath School; the one who stood with me in the church baptistry, invisible yet deliciously simple; the father I wrote to in a dozen journals full of prayers; the soil from which I grow. Most of all, He’s still my friend.

*I sang these songs countless times. Although the lyrics of “Sinnerman” I sang were not as heinous as what I just found by googling it, I think it’s safe to say it’s inappropriate to mock sinners running from God (and what even is a “sinner”? Aren’t we all?). And don’t even get me started on “We Are Soldiers” and “I’m in the Lord’s Army.” Who decided it was a good idea for seven-year-olds to sing about blood-stained banners and artillery? So yes, I think Jesus and I can have a good laugh about it.